Getting Into the Movies
While I admit it would be terrific if my mystery novel finds an agent, and then a publisher, and then becomes a wildly popular best-seller, and then gets made into a big Hollywood movie, that’s not what I’m here to write about today.
In one of the Facebook groups I belong to, someone posed the question, what thing in a movie is a deal-breaker for you? There were all kinds of answers. One of the most interesting was someone who said the “10% of your brainpower” film, in which one person suddenly gains the use of all 100% and acquires superpowers. (That whole thing about using only 10% of your brainpower is a crock anyway. Have you ever heard anyone say, “He was shot in the head, but fortunately the bullet only hit the 90% he wasn’t using”? But I digress.)
I had two and a half dealbreakers. The first one was any movie with Sylvester Stallone. At least Arnold Schwarzenegger seems to have a sense of humor about himself.
Another thing that keeps me from being able to enter into a movie is when the POV (point of view) character is a pre-teen or teenage boy. This puts “A Christmas Story” out of the running, as well as “Ferris Buehler’s Day Off.” I understand that both of those movies are wildly popular, but I just can’t get into them the way I can “All That Jazz,” “Contact,” or anything with Kris Kristofferson in it.
The half a deal-breaker was superhero movies or anything based on a comic book. It’s only half a deal-breaker because I have to admit that I like the Deadpool movies. But they’re sort of outside the typical superhero movie. Breaking the fourth wall much?
The other thing that keeps me “outside” a movie, I hate to admit, is my husband. He has a habit of leaning over to me and whispering softly in my ear, “I think I know how those space ships work,” or “Do you know a guy named Elliot?” or “I think I have a pimple on my back. Can you look?” There’s no coming back from a mood-killer like one of those.
I’ve been working on him, though, and I’ve almost convinced him that when I’m staring in rapture at the screen, eyes glazed over, barely breathing, is not the right time to tell or ask me anything other than “The theater (or livingroom) is on fire,” and then only if it really is.
Then he slips. I’m watching an engrossing DVD that I haven’t seen in years, and he sits down beside me and asks, “Did you hear what Trump just did?” And then looks offended when I shush him.
One time when he did get the hint was when we were watching the third “Lord of the Rings” movie in the theater, and when the ending came, I was curled up a ball in my seat, with tears cascading my face. Even if he did have a comment to make about what kinds of swords everyone had used or how much he liked the actress who played Galadriel (who, since he can’t remember the character’s name, he always refers to as “the elf witch,” which is not even close, but by now I know who he means), he restrained himself.
And he does know not to talk to me when I’m watching a film I sing along with, like “The Mikado” or “Pirates of Penzance” or “The Wizard of Oz” or “Cabaret.”
So what are films I enter into? In addition to the aforementioned, “An American in Paris,” “The Three (and Four) Musketeers,” “The Goodbye Girl,” “The Big Chill,” and “The Commitments,” among others.
I’m sometimes tempted to wait until he’s watching “My Favorite Year” or “It’s a Wonderful Life” and ask him “Who’s that guy playing Potter? What else have I seen him in?” But I don’t. Because I’m a good wife.
